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Houston tried to ignore the controversy, charging ahead with her music by releasing Just Whitney… to combat her detractors, but it did not match the success of her earlier works. The show aired during the worst years of the couple's crumbling marriage drug use, lifestyle excess and bad behavior were all caught on tape and Houston's reputation sunk to new lows.
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In 2004, when production began on the TV reality series Being Bobby Brown, Houston received substantial airtime. Several concert cancellations and a notorious TV interview with Sawyer in 2002, in which Houston appeared far too thin and in poor health, led many to speculate that she was on the verge of a breakdown. In the late 1990s and early 2000s, Houston's increasingly rocky marriage, struggles with drugs and health problems threatened to derail her career. In 1998, Houston released My Love Is Your Love, her first non-soundtrack studio album in many years, and it earned her another Grammy for the single "It's Not Right But It's Okay," The album was not as successful as her previous full-length releases, though her collaboration with Mariah Carey in the animated film The Prince of Egypt produced a hit single, "When You Believe," which won an Academy Award. 'My Love Is Your Love' Album: 'It's Not Right But It's Okay' Later in the 1990s, Houston also starred in Waiting to Exhale and The Preacher's Wife, both accompanied by hit soundtracks as well. The soundtrack album went on to win Houston three Grammys, including Album of the Year and Record of the Year. Her smash single from The Bodyguard, a cover of Dolly Parton's "I Will Always Love You" from 1974, proved to be Houston's biggest hit ever, spending a record-breaking 14 weeks atop the U.S.
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With this project, she set a trend for her films to follow: For each movie she also released hit singles, creating sensational record sales for the soundtracks. In spite of these growing personal troubles, Houston continued to progress in her career, crossing over successfully into acting in 1992 by starring opposite Kevin Costner in the wildly popular movie The Bodyguard. READ MORE: Inside Whitney Houston and Bobby Brown's Tumultuous Relationship 'The Bodyguard' Album: 'I Will Always Love You' Both Brown and Houston battled substance abuse and increasingly erratic behavior, with Houston later alluding to emotional abuse from Brown and domestic violence. At first, the marriage was passionate and loving, but things turned sour as the decade progressed. That year she married the R&B singer Bobby Brown, formerly of New Edition, after a three-year engagement. During this time, the singer also appeared at a concert for Nelson Mandela's birthday and founded the Whitney Houston Foundation for Children, a nonprofit organization that funds projects to help needy children over the world.īy 1992, Houston was on top of the world, but her life was about to get very complicated very quickly. That record, too, went platinum many times over and won a Grammy for the single "I Wanna Dance With Somebody (Who Loves Me)," with a successful world tour following. Houston followed the monumental success of her first album with a second release, Whitney, in 1987. 'Whitney' Album: "I Wanna Dance With Somebody" And I wouldn't mistake it for anything else other than that.” I'm a person who has life, who wants to live.
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Crack is whack.” “I can tell you that I am not self-destructive. I make too much money to ever smoke crack. and they're out to eat my flesh."” “Crack is cheap. What's in your soul is in your soul.” “They're devils to me. But by the age of 10 or 11, when I opened my mouth and said, 'Oh God, what's this?' I kind of knew teaching and being a veterinarian were going to have to wait. I love children, so I wanted to deal with children. and I'd better not come back from the yard with scratched knees."” “I wanted to be a teacher. And that's how I have to deal with it.” “Cracking gum or sitting with your legs open were considered unacceptable.

I'm either my best friend or my worst enemy. pop music has never been all white.” “Nobody makes me do anything I don't want to do.

Yet I've gotten flack about being a pop success but that doesn't mean I'm white. I was raised in a Black community with Black people, so that has never been a thing with me. I guess it's flattering to know that I can sing it all.” “I know what my color is. It loves me, and I love it.” “Well, I've gone from singing too white to R&B diva, and now I'm hip-hop. I know the eye of the camera is on me-eye to eye. “From the beginning, the camera and I were great friends.
